Strygere strings

String Song (1980) 
strygekvartet nr. 1 string quartet no. 1

Danse Macabre (1991) 
strygekvartet nr. 2 string quartet no. 2

Playtime (2007) 
for strygerorkester string orchestra

Saturday Night Blues (2012) 
for strygerorkester string orchestra

Blæsere winds

Avers/revers (1985) 
blæserkvintet nr. 1 wind quintet no. 1

De/cadences (1987) 
blæserkvintet nr. 2 wind quintet no. 2

Weekend (1992) 
messingkvintet brass quintet

Store kammerensembler larger chamber ensembles

Amalie suite (1985) 
for kammerensemble chamber ensemble
fl.ob.cl.fag.cor.perc.2vl.vla.vlc.cb.

Variations on a Falling Star (1996) 
for kammerensemble chamber ensemble
fl.cl.gui.perc.cemb.vl.vlc.

Små kammerensembler small chamber groups

Battue for Three (1990) percussion trio

HighLight (1992) for fløjte og guitar flute & guitar

Twilight (1992) for guitar duo

Song of the Sea (1993) 
for obo (saxofon) og orgel oboe (sax) & organ

Tivoli (1993) for blokfløjte, violin, cello og cembalo recorder, violin, cello and harpsichord

Tre danse (1994) for guitarkvartet guitar quartet

Sleepwalker’s Tapdance (1995) 
for viola, fagot og guitar viola, bassoon & guitar

Step by Step (1997) 
for fløjte, violin og guitar flute, violin & guitar

Nocturnal Procession (2001) for guitar duo

Lørdagsvariationer (2005) for guitarkvartet guitar quartet

Ménage à trois (2009) 
for blokfløjte, sax og percussion recorder,sax and percussion

Vokal solo og kammerensemble 
vocal solo with chamber ensemble

White shadows (1993) - text: Pia Tafdrup
mezzo og kammerensemble mezzo and chamber ensemble
MS.pno.perc.vla.cb.

To Søren Kierkegaard sange (1997) 
for sopran, fløjte, cello, akkordeon 
soprano, flute, cello, accordion

Skyggespil (1990/2009) - text: Henrik Nordbrandt 
for baryton, fløjte, klarinet, guitar, accordeon, cello
for barytone, flute, clarinet, guitar, accordion, cello











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Kammermusik chamber music
 
The future of chamber music...(?)

Chamber music has always been the most exclusive area in art music. Just look at the name: music, meant to be played in a small room, perhaps even under private circumstances. In the classical aera chamber music was often used as a medium for formal or aesthetic experiments. Haydn, Mozart and Beethoven wrote some of their most radical and experimental pieces for such small ensembles. But then, afterwards, they carried with them the most significant results from their ”laboratories” and implemented them in the ”great” public tradition – in operas, symphonies, church music, oratories, wherever they might catch a greater audience.

Today the situation is different. Chamber music has become a genre of its own. And it has become the genre of contemporary music. Very few composers of today have regular contact with the major music institutions, so there is no longer a forum for presenting the results for a main audience.

Unfortunately it seems to me that many contemporary composers feel quite satisfied with this. They enjoy living in this splendid isolation, as long as no-one disturbs them – and they can keep up governmental support... 
John Frandsen in a lecture at
Seinäjoki Chamber Music Contest, Finland. Nov. 2004http://www.johnfrandsen.eu/eng/essays/future.htmhttp://www.johnfrandsen.eu/eng/essays/future.htmshapeimage_5_link_0shapeimage_5_link_1
Fra denne side kan du finde partiturer i pdf-format, lytte til uddrag, eller læse værknoter og anmeldelser af John Frandsens kammermusik.
Programnoter, tekster og anmeldelser af nogle af værkerne kan findes her.
En del værker er udkommet på Edition Samfundet eller Edition WH – nodematerialer til disse titler fås ved henvendelse til forlagene. 
Du er altid velkommen til at sende 
en mail til jf@JohnFrandsen.eu 
hvis du ønsker yderligere materiale eller oplysninger om musikken.



From this page you can download scores, listen to samples or read program notes and reviews of 
John Frandsen’s chamber music.
Programme notes, texts etc. to some of the works can be found here.
Some works have been published by Edition Samfundet or Edition WH – please contact them for performance material. 
Most of the program notes are only available in Danish.
Feel free to send an e-mail to jf@JohnFrandsen.eu  
if you need an English version - 
or if you want any further information.


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